James Lanternman·Oct 15, 2024Megalopolis: A Movie ReviewThe best and most fascinating thing Francis Ford Coppola has done since Apocalypse Now.A response icon9A response icon9
James Lanternman·Jun 13, 2024Civil War: A Movie ReviewA terrific cultural warning flare that shocks & awes — then subsides to straightforward reason, affection, and concernA response icon3A response icon3
James Lanternman·Dec 18, 2023Enter the Void: A Spiritual, Hedonistic Nightmare With Room for HopeGaspar Noé’s psychedelic melodrama belongs with the best movies of the centuryA response icon1A response icon1
James Lanternman·Mar 25, 2023The Spirit of the Beehive (1973): A Study of Trauma and a Very Clever Attack Against a Fascistic…Victor Enrice’s debut is beautifully weaponised art, released from within a dictatorship
James Lanternman·Mar 16, 2023The Beasts (As bestas): A Movie ReviewA memorable thriller with horror leanings, telling a tale of nature, brutes, and cultural divides
James Lanternman·Feb 23, 2023The Fire Within: A Requiem for Katia and Maurice Krafft: A Movie ReviewWerner Herzog celebrates the volcanic imagery of the Kraffts, wrestled from “the claws of the devil”A response icon1A response icon1
James Lanternman·Feb 17, 2023Living: A Movie ReviewA worthy remake of a Kurosawa classic, with a cinematic heart of goldA response icon6A response icon6
James Lanternman·Feb 13, 2023The Banshees of Inisherin: A Movie ReviewAn electrifying, melancholic fable that is Martin McDonagh’s best movie to dateA response icon9A response icon9
James Lanternman·Feb 1, 2023Babylon (2022): A Movie ReviewA gruelling joyride that made me contemplate the never-ending movie that keeps getting worseA response icon4A response icon4
James Lanternman·Oct 9, 2022Smile (2022): A Movie ReviewAn entertaining and surprisingly deep-cutting debut from Parker Finn.A response icon3A response icon3
